‘Longboat Longing’, 2003
Corten steel, wood
285 X 50 X 685 cm.
Exhibition:
‘Beelden buiten binnen Borne’ (Sculptures outside inside Borne), Borne, 2003
Purchased and placed by the municipality of Albrandswaard for the Paarlemoer district, 2004
Scale model
The upward point indicates a longing: flying, sailing, breaking free from the wheels, landing back on them safely and rolling further along? What does it opt for? The forward movement has intentionally been represented archaically. With a little imagination it could be seen as the mode of movement or the Egyptians or the builders of megalithic sites. The wooden planks of the bottom and top are rhythmically open-closed, open-closed, like the ‘staff notes’ in a poem' from 'Squarings' -Lightenings- by Seamus Heaney on which this sculpture is based:
‘A boat that did not rock or wobble once
Sat in long grass one Sunday afternoon
In nineteen forty-one or -two. The heat
Out on Lough Neagh and in where cattle stood
Jostling and skittering near the hedge
Grew redolent of the tweed skirt and tweed sleeve
I nursed on. I remember little treble
Timber-notes their smart heels struck from planks,
Me cradled in an elbow like a secret
Open now as the eye of heaven was then
Above three sisters talking, talking steady
In a boat the ground still falls and falls from under.’